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Better Luck Tomorrow (2003)
Only on the rarest of occasions have I walked out of a film, but I distinctly recall doing so during Justin Lin's juvenile, unwatchable genre debut (with Quentin Lee), Shopping for Fangs. So it was w...
Stevie (2003)
The documentary Stevie ostensibly refers to its primary subject, Stephen Fielding, but could also refer to its prime mover, documentarian Steve James (Hoop Dreams). While in college, James served as...
Levity (2003)
Screenwriter Ed Solomon famously wrote secular hits like the "Bill and Ted" movies and the original Men in Black, but now--as writer and director of the independent film Levity--Solomon nuzzles into...
Assassination Tango (2003)
As far as I can tell, Assassination Tango is a wholly unique cinematic experience. There is, perhaps, a hint of a back-handed compliment in this, and Assassination Tango is undeniably a bowlegged mea...
Nirgendwo in Afrika (Nowhere in Africa) (2003)
The much-awarded German drama Nowhere in Africa--Oscar's Best Foreign Film for 2003--deserves kudos for bringing to cinematic light yet another intriguing perspective on the displacement of the World...
A Man Apart (2003)
The Vin Diesel vehicle A Man Apart recalls the scores of generic actioners of the '80s--the muscle-bound good guy pushed over the edge takes on the drug trade which cost him his a) partner, b) wife,...
Phone Booth (2003)
In a piece I wrote over a decade ago, I ridiculed Hollywood's obsession with remaking Die Hard, as in "Die Hard on a cruise ship" (Under Siege). I extrapolated the idea of Die Hard on a bus, which ca...
DysFunktional Family (2003)
Diverting but disturbing, Eddie Griffin's stand-up concert film DysFunktional Family frequently feels wrong. Displaying little of the finesse of the best concert films, DysFunktional Family affords c...
Dreamcatcher (2003)
The film adaptation of Stephen King's 800-page tome Dreamcatcher might more aptly be named Dreamsieve, for all the command it has over image and idea. Sprawlingly incoherent, Dreamcatcher trawls the...
The Hunted (2003)
To advertise the ballsy bloodsport The Hunted as the product of an Academy Award-winning director (William Friedkin) and two Academy Award-winning actors (Tommy Lee Jones and Benicio Del Toro) is to...
Bend It Like Beckham (2003)
All film distributors--especially the independent ones--now pine for the next My Big Fat Greek Wedding, a sleeper hit wielding gentle comedy and big emotion. Fox Searchlight Pictures may have what th...
The Core (2003)
The Core opens with a burst of cheesy zeal; we burrow under the Para-mountain to the deliciously overwrought music of Christopher Young. When the earth's core stops spinning, we go topside to see inn...
Head of State (2003)
Chaplin, Keaton, Lloyd, Marx, Allen, Brooks. Writing-performing comedy auteurs. Is it me or has it been a while since Hollywood has welcomed a comedy auteur to get down to business? Steve Martin and...
Basic (2003)
Basic is the sort of calendar-filling misfire that clogs resumes and sits on video store shelves. The hint of something more ambitious lies under the egomaniacal star turns and a convoluted screenpla...
Tears of the Sun (2003)
For a while, Tears of the Sun seems as if it might be subversive in its anti-heroics, fronted by the iconic, scowling chrome dome of Bruce Willis. Instead, Antoine Fuqua plays jack of all trades--nam...
Gerry (2003)
It's tempting to mimimize Gus Van Sant's experimental indie Gerry by dubbing it The Slow Walker (as opposed to last year's The Fast Runner) or perhaps Rosencranz and Guildenstern are Lost or even Dud...
The Safety of Objects (2003)
Like Robert Altman's appropriation of the Raymond Carver ouevre for the film Short Cuts, Rose Troche's The Safety of Objects imaginatively weaves together the pieces of A. M. Homes's short story coll...
Cidade de Deus (City of God) (2003)
With irresistible technique, the ring of truth, and sheer force of will, Brazil's City of God announces itself to America as the picture to beat in 2003. Adapted by Bráulio Mantovani from Paul...
Real Women Have Curves (2002)
Like My Big Fat Greek Wedding, Real Women Have Curves taps into a desire for sweet entertainment throwing back to seemingly more innocent times. Real Women Have Curves also speaks to two cultures und...
All the Real Girls (2003)
On viewing All the Real Girls, I could only conclude that it is, at least partly, brilliant. Director David Gordon Greene, in the press notes to his sophomore follow-up to the much-praised patience-t...
The Life of David Gale (2003)
The life of David Gale and the movie The Life of David Gale take many twists and turns. I can't reveal the nature of the former--except to say that the movie-hinging twist is fatally evident in the f...
The Quiet American (2002)
The Quiet American--the timely 2002 adaptation of Graham Greene's 1955 novel--is a film for grown-ups. A caustic critique of European colonialism and American cowboy politics in Vietnam, The Quiet Am...
The Jungle Book 2 (2003)
No one over the age of 12 takes seriously sequels to Disney's animated classics. Though hardly a world-beater, last year's Peter Pan sequel Return to Never Land proved a surprisingly endearing except...
Biker Boyz (2003)
A cookie-cutter rip-off of The Fast and the Furious, Biker Boyz likewise takes its inspiration from an article (Michael Gougis's "Biker Boyz," published in the New Times). It likewise motors along wi...
Confessions of a Dangerous Mind (2002)
In the 70s, Chuck Barris was killing us softly with his gong. Or so said the cultural critics of the time. Surprisingly, the game show entrepeneur who created The Gong Show and The Dating Game, among...
Max (2002)
Short of the mock-snuff of exploitation cinema and unsanctioned films about religion, no greater taboo exists today than stories which might dare to humanize Hitler. The furor over the fuhrer attends...
Darkness Falls (2003)
Something about the underdog, "B"-movie spirit of Darkness Falls made me want to like it. At the outset, a burst of smart production value leaning on practical and sound effects to create shadowy hor...
Jack Weyland's Charly (2002)
The best kept secret of modern American movies is Mormon cinema. In the last few years, Mormon films have begun squeezing into multiplexes for blink-and-you-miss-'em runs backed by grass-roots promot...
Seom (The Isle) (2002)
The South Korean film Seom--finally receiving an American theatrical release, as The Isle, after two years--has some of the same demented cachet of Takashi Miike's Odishon (Audition) but little of it...
Morvern Callar (2002)
Irvine Welsh's novel Trainspotting sparked a cult following, a film by Danny Boyle, and a subsequent cult of macho movie fans. Alan Warner's novel Morvern Callar rode that wave, as a grotty Scottish...
A Guy Thing (2003)
Just what is the "guy thing" alluded to by Chris Koch's comedy A Guy Thing? Is it waking up next to a woman you met the night before at your bachelor party? Is it munching dry Count Chocula and hashi...
Kangaroo Jack (2003)
It was only a matter of time before Jerry Bruckheimer finally cracked wide open the urban-kiddie-mafia-marsupial-action-comedy genre he's always coveted so much. Today, the urban-kiddie-mafia-marsupi...
National Security (2003)
National Security is a soul-crushing invariant on the black-white buddy-cop movie. Even the nominally stimulating effects--Martin Lawrence, Steve Zahn, and lots of improbably leaping vehicles--fail t...
Just Married (2003)
Just Married, a time-and-space-inverted rehash of The Out-of-Towners, is the sort of cartoon comedy that--in spite of its lush international settings--takes place strictly in Movieland. Penned by the...
Adaptation (2002)
Charlie Kaufman--the mad genius of screenwriting for the new millennium--had a problem: how to adapt Susan Orlean's The Orchid Thief, a novel lacking in the clean, easy lines of conventional narrativ...
The Hours (2002)
As poetic as mainstream cinema gets, Stephen Daldry's meticulous realization of The Hours beautifully delineates the intersection of life and art as a nexus for meaning, especially for the drifting a...
Narc (2002)
Beginning with an adrenaline-pumped chase, Joe Carnahan's Narc announces its true grit as a cop movie. What follows--laden with well-worn archetypes but equally stained with a relentless disgorgement...
Catch Me If You Can (2002)
Steven Spielberg's Catch Me If You Can--the tale of the invention of a self-made con-man--could be the projection of its maker's inner workings. Could the self-portrait of America's alpha filmmaker b...
Chicago (2002)
After the overwrought excess of Baz Luhrmann's redefinition of the movie musical (Moulin Rouge), the mere freneticism of Miramax's adaptation of Chicago comes as a breath of fresh air. Chicago may tr...
The Emperor's Club (2002)
Based on Ethan Canin's short story "The Palace Thief," The Emperor's Club happily reunites the dynamic duo of director Michael Hoffman and perenially underrated star Kevin Kline. Hoffman stepped in w...
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